Vita Gazette

News from Italy

A perfect couple: Panettone and Pandoro

by Chiara Fiverri

The most magical period has arrived, and, like every year, we are all already immersed in the enchanted atmosphere of Christmas. And we all live in Santa’s glass sphere: stars, illuminated Christmas trees, deer, magical lights and our loved ones… We are always together with our family and friends… The classic Christmas desserts, Panettone and Pandoro, are also with us… As a means of sharing our love…

Among the few certainties this magical time brings, one is undoubtedly panettone and pandoro, perhaps the most iconic desserts of the Italian tradition. These Christmas desserts have conquered palates worldwide, with their stories shrouded in legends and flavours that stun the senses.

But what is their story?

The first traditional, historical symbol of Milan, rich in aromas and flavours thanks to its ingredients such as raisins and the much controversial candied fruit. The other is younger, slender, soft, covered with an abundant dusting of refined icing sugar and its scent of butter and vanilla, originally from Verona. In short, it is a non-trivial choice between two gastronomy giants representing a worthy conclusion to the Christmas meal.

The two giants who conquered the entire peninsula and even the world have many legends depending on their fame. Let’s take a look at them!

Panettone, the dessert of Milan

It is a dessert that enchants everyone with its round shape and soft consistency. Its uniform and light structure is revealed when cut: it does not crumble, and its scent of butter, vanilla and citrus spreads when tasted. Raisins and candied fruit are distributed in their crumb, and when present, the crunchy glaze completes the experience. These are the distinctive characteristics of an authentic artisanal panettone.

The origin of this dessert is shrouded in legends and traditions, but it is commonly believed that, in reality, panettone originated in Milan in the Middle Ages. Indeed, panettone has ancient origins.

One of the most popular stories tells of a young pastry chef named Toni who, during the Christmas period, created a dessert based on natural yeast, butter, eggs, raisins and candied fruit called “pan de Toni” (Toni’s bread), which then became, over time, “panettone”.

The best known is set in the court of Ludovico il Moro during Christmas night in 1495. The cook employed by the lord of Milan was commissioned to prepare a sumptuous lunch, but he burned the dessert and forgot it in the oven. At this point, Toni, a little boy, proposed using the dessert he had prepared in the morning with the ingredients left in the pantry. The cook agreed and brought to the table that dessert made with a bit of flour, butter, eggs, citron peel and some raisins, and when the enthusiastic guests and the duke asked who the creator of that speciality was, the cook replied: “It’s Toni’s bread”.

According to another legend, he was commissioned to prepare the prized wheat bread for Christmas Eve, which the guests would consume during the log ritual. In fact, in this ancient custom, on the evening of December 24th, it was customary to burn a large log of wood in the fireplace of the main room of the palace. The family members, waiting for midnight, sat around it admiring the baking of the three large wheat loaves, of which the head of the family would distribute a slice to each, saving one for the following year as a symbol of prosperity.

The young cook, born Toni, still inexperienced and perhaps a little bold when faced with what seemed to him to be a relatively simple and not at all demanding task – after having kept aside a small quantity of dough for himself – thought it best to burn the bread intended for the great Lodovico and his entire family. He attempted to remedy this grave mistake for fear of being punished and kicked out of court. Out of despair, he did not hesitate to use his share of the dough to improvise an experiment that could have changed his destiny.

In performance anxiety, he re-kneaded it over and over again. He added eggs, butter, sugar, and spices from the Far East, which were rare, expensive, and in vogue only at the most refined European courts. He then inserted some precious grapes and something even more unique, a real delicacy for the most ambitious palates: candied fruit. And here emerge, from the court cupboard, cedars from Lebanon, oranges from Sicily, lemons from Calabria, fragrant and inebriating. The dough was ready. Toni now had nothing else to add. As a final step, and as tradition dictated, he engraved the top part of the still raw cake with a cross as a sign of blessing.

The bread rose for hours and hours. When he finally put it in the oven, he saw it rise and brown. The fateful moment came, and the bread was ready. Large, majestic, golden, soft as a feather, and just the right amount of sweetness.

The servants finally took it into the hall. Toni could have paid dearly for his audacity and dared not show himself. Lodovico was the first to cut that cake, which had a very different consistency from the bread he knew. But when he tasted it, it was an absolute triumph. He immediately wanted the boy capable of surprising him so much to be introduced to him. The success of this new holiday bread was such that it was given the name Pan de Toni in honour of the chef. The bold chef thus lived “happily ever after” at court, and in the centuries to come, the name of the Christmas dessert was transformed into the one we all know.

A second legend sees panettone as the fruit of love between Messer Ulivo degli Atellani, Ludovico il Moro’s falconer, and Algisa, the beautiful daughter of a baker. The man was hired by her father as a boy and invented panettone to impress his future father-in-law. To help sales, he enriched the bread with butter, sugar and candied fruit, which was an immediate success and allowed the two lovers to get married and live happily ever after.

But some historical sources date this dessert back to 1470, precisely in a document written by Giorgio Valagussa, tutor of the Sforza family, which reports the “ritual of the log” in writing. It is said that during the year, the bakers were forbidden to use “the flour of the rich” and that only at Christmas did everyone eat the same bread, the “Pan de Ton”, that is, the bread of the lords, served with butter, sugar and eggs.

In short, between stories and legends, what is certain is that panettone was born in Milan and that, over the years, it has become the symbol of Christmas in any Italian home.

Pandoro, the dessert of Verona

The history of pandoro is not an ancient story but preserved in the mists of time. And it’s not a legend… It all started with Nadalin…

Pandoro was born in Verona from the idea of ​​Domenico Melegatti, who did not invent Pandoro but had the brilliant intuition of reworking and creating the recipe with the shape we all know.

The history of Veronese Christmas sweets begins at the time of the Della Scala family, who became lords of the city in 1262. To celebrate their first Christmas as regents, Nadalin was invented, a rich, sumptuous, sweet symbol of the Municipality’s bright future, which was finally becoming Lordship. It was a lightly leavened cake, compact and not very tall, sprinkled with pine nuts and almonds, but with a beautiful star shape (eight-pointed like the pandoro in honour of the eight leading families of the city or the sun). Nadalin has since been the most loved dessert by the people of Verona for the Christmas holidays, to be eaten accompanied by a glass of Recioto della Valpolicella wine.

Pandoro was invented by the Veronese pastry chef Domenico Melegatti, as confirmed by the patent presented on 14 October 1884 at the Ministry of Agriculture and Commerce of the Kingdom of Italy. The inspiration came from Nadalin, to which eggs, butter and sugar were added, enriching the flavour and softening the dough.

The cake with this new dough rose wonderfully, so a new mould suitable to contain it was needed. To contain the pandoro mixture, Angelo Dall’Oca Bianca, an impressionist painter from Verona, was called by Melegatti to invent an iconic mould. He invented the Vespa mould, with an eight-pointed truncated pyramid section. This mould gave the historical shape to the pandoro (keeping faith with the shape of the Nadalin but making a new, even more spectacular version). The mould and the new shape soon became iconic, and Melegatti consecrated himself as the lord of the pandoro, the one and only.

This happy marriage between tradition and design gave rise to the fortune of the confectionery industry of the same name. It made the pandoro lines one of the symbols of Christmas. Pandoro is a dessert that dates back to the end of the nineteenth century, as an evolution of Nadalin.

The dough:

The traditional recipes, which are the basis of the two desserts, are more or less similar, and what distinguishes them is, therefore, undoubtedly the processing method. The pandoro has a shape that recalls that of a star; it is a shape that recalls art, so much so that Domenico Melegatti, when he thought of creating the shape of the pandoro, was inspired by the impressionist painter Angelo Dall’Oca Bianca.

The traditional Veronese pandoro: it is undoubtedly a high-end Italian pastry dessert, which is prepared with three preparations based on

  • mother yeast
  • brewer’s yeast
  • egg
  • butter
  • vanilla
  • powdered sugar.

The mixture of ingredients is treated for three doughs and requires surgical precision in dosing and leavening.

Preparing pandoro is laborious and requires many work hours, especially if you make the pandoro recipe with sourdough. Still, the satisfaction of serving this homemade Christmas-leavened product will repay every effort.

The panettone is distinguished by its round shape framed by a dark-coloured paper mould. The panettone takes on this shape after a long process and is left to cool upside down at the end of cooking.

  • waterfall
  • flour
  • salt
  • fresh eggs
  • milk
  • butter
  • sugar
  • orange
  • candied citron
  • sultanas
  • vanilla and
  • mother yeast

The panettone is embellished with candied fruit and raisins, while the pandoro is the shape of a soft star dusted with icing sugar.

Panettone has a characteristic aroma of yeast and vanilla, with sweet and fruity notes deriving from ingredients such as raisins and candied fruit. The smell of panettone can vary depending on its ripeness and the ingredients’ quality.

On the other hand, Pandoro has a delicate and light aroma with notes of butter and vanilla. Pandoro does not contain added ingredients such as raisins or candied fruit, so its scent is more straightforward but still pleasant.

The panettone preparation process requires time and care; with long leavening times comes pandoro, which gives it the right soft and light consistency. Today, master pastry chefs continue to reinterpret this Christmas delicacy, creating variations with innovative ingredients to satisfy modern tastes but permanently preserving the authentic spirit and taste of traditional panettone.

In conclusion, no Italian Christmas is complete without panettone and pandoro. These desserts remain a Christmas delicacy loved by many, but above all, a culinary tradition ready for years to unite families and friends with its unique taste.

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